New jane eyre movie
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The real rush of Jane Eyre adaptations had to wait for the television age, Brontë's story being well-suited to the expansiveness of a TV series. This Jane Eyre might have been better off remaining silent: the tinny dialogue comes across more like a drawing-room comedy than a Gothic romance. The first sound version was filmed in 1934, starring Colin Clive, in supremely dodgy sideburns, and Virginia Bruce, whose expressive, kohl-rimmed eyes were made for the silent era. There were seven silent films made of Brontë's 1849 novel, including Orphan of Lowood. There's Jane being shipped off to the parochial Lowood charity school where she suffers the brimstone abuses of the zealous headmaster (Simon McBurney) and sees her gentle best friend (Fraya Parks) die of consumption.But back to the un-zombified screen renditions of Jane Eyre. There're scenes of the spirited young Jane (Amelia Clarkson) being brutally mistreated by her hateful aunt (Sally Hawkins) and priggish cousins. John Rivers (Jamie Bell of “Billy Elliot” fame) and his kindly sisters (Holliday Grainger and Tamzin Merchant), we hark back to the chapters that brought her here. After a shivering Jane is taken in by the pious clergyman St.
New jane eyre movie movie#
The movie opens with Jane fleeing Thornfield Hall and Rochester's dire secret into a sodden, storm-swept night on the desolate moors. Unlike previous versions (notably the 1944 Orson Welles-Joan Fontaine film and the lush 1996 Franco Zeffirelli picture), this film radically shuffles the story's chronology and opens with a nifty framing device before condensing Jane's cruel Victorian childhood into concise flashbacks.
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But it seems his fresh eyes and contemporary sensibilities serve the material well. In the fairly flinty but lovely performance by Mia Wasikowska (“Alice in Wonderland”) as Jane, in the cannily configured script by British playwright Moira Buffini (“Tamara Drewe”) and in the bold, richly visual direction of Fukunaga this film seems surprisingly fresh, more tough-minded and less melodramatic than previous versions.įukunaga, a film phenom who earned a Student Oscar at the University of California, Santa Cruz and launched his career strongly with the tough immigrant thriller “Sin Nombre,” seems an odd choice to helm this elaborate period piece.
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So what's new to glean from this heavily worked literary artifact whose 38 chapters are chockablock with florid motifs and allusions (from romanticism to Gothic horror from the Byronic hero to the madwoman in the attic) and whose five sections range through hefty matters of morality and religion, social class and gender relations, love and passion, independence and the search for home and family, as well as atonement and forgiveness? Since 1910, Bronte's sprawling, multithemed, five-stage tome has spawned 18 film versions, at least 10 TV adaptations, a radio drama, a two-act ballet, a stage musical, an opera, a symphonic interpretation, a graphic novel, numerous literary spinoffs, prequels and sequels and more. Any filmgoer looking askance at yet another adaptation of Charlotte Bronte's often-filmed 1847 novel “Jane Eyre” can rest assured that the new one by up-and-coming director Cary Fukunaga is a smart, worthy addition to the book's burgeoning, multimedia canon.